Elaine Duncan

“Offerings”: a tapestry retreat at Casa Tejedoras, El Tuito, Mexico

by on Feb.28, 2011, under Blog Posts

February 3, 2011:  Seven weavers: Christine Rivers, Donna Millen, and myself from Canada; Jackie Wollenberg, Mimi Heft from California; Kissiah Carlson from Texas and Lynn Cosell from West Virginia came together at the home of Jean Pierre Larochette and Yael Lurie in El Tuito, Jalisco, Mexico for our annual french tapestry retreat.  This year’s subject was “Offerings”.  Jean Pierre described it this way:  “Our group has been meeting for many years now, our personal lives converging in our love to the art we practice and the friendship that unites us.  Out of these times together, of life shared, grows a sense of gratitude.  Out of the all embracing feeling of gratefulness is the desire to acknowledge that which is also most private and dear.  Offerings in a secular spirit may not differ that much from the ancient religious practices of donation, sacrifice and gift giving.  “Ofrendas” are also gifts to the departed ones, commemorative celebrations of somebody’s life.  they symbolize gratitude, nourish generosity and bring forward contemplative inspiration. ”  Our task was to invite us to gather thoughts, objects, small relics found in the memory, images of which you would love to weave. 

Each morning, Jean Pierre and Yael, gave us wonderful talks about the history of French tapestry weaving, including the traditions, the workshops, the artists, the designs, the cartoon making, etc.  This was a very special time for me to summarize and gather the memories from the last 7 years of my time in El Tuito.  Jean Pierre mentioned one morning that it takes 7 years of apprenticing in French Tapestry before you became a weaver.  I know that this is no longer the practice as there are not many, if any opportunities, to participate in such a program presently.  But I felt that I could look at my learning experiences with these great masters of French Tapestry and since it had been an honor to be included in seven retreats, I perhaps, could treat  this last retreat as my celebratory graduation.  Each year that I came back from a retreat, I would weave alot and practise what I had learned and be prepared to ask more questions at the next time.  And so I raise my glass to Jean Pierre and Yael and thank them for this special time with them as my teachers.  It literally has changed my life.  Who knew that my first time in Mexico, in 2005, that I would choose to build a small casita and plan to attend my winters in the lovely little coastal village of Lo de Marcos.  Yes, this experience has changed my life significally…meeting weavers from around the world, learning new ways of doing things, loving the culture of colour, music, and language.  Muchas gracias Jean Pierre and Yael!!!  

I would like to quote from something that Jean Pierre shared with us:  “Weaving is the great classic symbol of the coming together and intermeshing of separate threads to make a new integrity.”  Carla Needleman, The Work of Craft.

Jean Pierre's "offerings" tapestry
Jean Pierre’s “offerings” tapestry

Jean Pierre’s “offerings” tapestry 

Jackie Wollenberg's tapestry from Sarah Swett's class based on story telling
Jackie Wollenberg’s tapestry from Sarah Swett’s class based on story telling
Jackie Wollenberg’s tapestry from Sarah Swett’s course based on story telling
Christine Rivers' tapestry and cartoon for the next one

Christine Rivers' tapestry and cartoon for the next one

Kissiah Carlson weaving an image of a young boy on a loom brought by a Brazilian weaver from the previous course

Kissiah Carlson weaving an image of a young boy on a loom brought by a Brazilian weaver from the previous course

Mimi Heft's tapestry

Mimi Heft's tapestry

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Lynn Cosell weaving on her tapestry

 

Donna Millen and her delightful piece

Donna Millen and her delightful piece

When Jean Pierre sent the invitation to attend this workshop, I began thinking about the things that I would like to learn.  I have mainly woven small format tapestry these past few years and felt the urge to weave a larger piece. definitely not mural size, but larger than what I have been working on.  Also I wanted to draw from the actual object, rather than from a photograph.  When offerings was given as the topic, I immediately thought about a small book that I had first read in the mid ’60’s as required reading in a Home Management class at university.  I have re-read this book many times in my life…it is titled “Gift From the Sea” by Anne Morrow Lindberg.  Anne goes to spend two weeks at the seashore without her husband or family and this leads to a very contemplative time in her busy life.  She studies each sea shell that is presented to her and draws analogies to her life and her relationships.  She says that the sea and the seashells can teach us several things including simplification, patience and gratitude, among other things.  So I chose from my collection of sea shells some that I would like to draw and some that had special meaning for me.  One in particular was difficult to draw, but held wonderful memories.  It was collected by my mother in the 1950’s at Kye Bay near Comox, BC.  She even wrote the place and date on it.  It has travelled with us when moving from one home to another, and after my father’s death, and her’s previous, I became the keeper of the shell.  So with my shells, I drew everyday with Yael as my mentor.  I would draw and she would draw.  I studied her work…she is so talented and so natural in her approach.  I struggle, but was determined to keep drawing.  And I did!  The following photograph shows my sampler of  three shells.  I had taken a photograph in December of the shifting of the sand as the water recedes after a wave and studied that photo, made a small colour sampler and chose it as the background for the placement of my shells.  Jean Pierre had said in our class that for larger tapestries he uses a seine sett at 12 epi but the paternayan crewel as a three strand.  I had never done this before so I tried it on my sampler and was very pleased with the effects.  The shells were woven with DMC cotton embroidery floss and some fine silk I had brought with me.  I enjoyed my days at the retreat, mostly drawing half the time and weaving the other half.  This has been a good exercise for me and I hope to continue my exploration and produce a larger tapestry in the near future.
"Gift from the Sea" and my shells used for inspiration

"Gift from the Sea" and my shells used for inspiration

tapestry sampler based on the theme of Offerings

tapestry sampler based on the theme of Offerings


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